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The Broadcast Performing Arts program is ten months, composed of ten 4-week Modules. Each Module makes available a minimum of 80 hours of classroom, practical instruction, and supervised On-Air time. Attendance is five days a week, four hours each day.
Students divide their learning time between Hands-On training, workshops, and lectures. 600 of your 800 educational hours will be spent in assigned duties within the two campus radio stations. You'll rotate through jobs, acquiring skills and improving your abilities through daily work experiences that are typically found in small, medium, and major market radio stations.
Each four hour training day consists of one hour of lecture and three hours of radio station duty assignments.
Station duties rotate hourly and daily. At the beginning of each day, you'll receive your rotation duties that will allow you to fulfill the role of:
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Broadcast Performing Arts Training Program |
As an example, in the first hour of the broadcast day, you may be the On-Air Personality (DJ). Next hour, you may be doing the hour's Commercial Remote and the following hour, you may be in Creative: Commercial Copywriting. This rotation and the consistency of practice and development in all areas provide not merely 'training', but also EXPERIENCE in the industry even before seeking employment in broadcasting.
The next day your radio station assignments change, giving you a different set of responsibilities, so no two days are ever the same.
Lecture Outline
| Module 1 Topics | ||
| Creating Characters |
Show Preparation | Traffic Basics |
| Transitions | Lead line Writing | Cruisers |
| Copywriting | Sports Writing | Master Control |
| Programming | Vocal Dynamics | Ad-Libs |
| Module 2 Topics | ||
| Journalism Ethics | Crime Writing | Customer Service |
| Remotes | Personality Projection | Morning Shows |
| Radio History | Voice-Overs | Copywriting |
| Grammar | Radio Advertising | Imaging |
| Module 3 Topics | ||
| Broadcast Resources | Radio Talk Shows | Demo Tapes |
| Politics | Sports Writing | Small Market Success |
| Budgeting for Survival | On-Air Conduct | Commercial Copywriting |
| Happy Endings | Writing for CHR | CHR Workshop |
| Module 4 Topics | ||
| Listener Profiling | Contesting/Promotions | On-Air Calls |
| News Basics | News Beats | Sound in Commercials |
| Weather Writing | 20 Deadly Sins | Dealing with Listeners |
| Station Imaging | Code of Ethics | Hand-Offs |
| Module 5 Topics | ||
| News Delivery | Basic Production Skills | Your First News Job |
| The Music Director | Interviewing | Promos/PSA Writing |
| Remotes | The Sales Department | Dialogue Spots |
| Ad-Libbing Workshop | Bit Workshop | Modern Rock CMT |
| Module 6 Topics | ||
| Copywriting Techniques | Spot Writing Challenge | Grow Your Career |
| Radio Promotions | Voice-Over Work | A Personality’s Image |
| Journalism Legalities | Rewriting News | Government/Labour Terms |
| Sport Writing | 10 Radio Fallacies | News Lead Lines |
| Module 7 Topics | ||
| Spot News Workshop | Weather Writing | Word Power – Visualization |
| Dual Ad-Libs | Enhancing the Experience | Theatre Sports |
| How to Advance in Radio | Dual News | News/Sports Conferences |
| News/Sports Workshop | The World of Freelance | Broadcast Terminology |
| Module 8 Topics | ||
| Morning Shows | Critique a Morning Show | The Role of a P.D. |
| Business Reporting | Show Prep Tips | On-Air Workshop |
| Reporting Skills | BBM Research | On-Air Tips |
| Perception is Reality | Interviewing | Copy Workshop |
| Module 9 Topics | ||
| News Story Formats | Spot News & Sound | Promotions |
| Developing Your Demo | Voice-Over/Acting | Morning Shows |
| More Show Prep Ideas | Terminology | Voice Tracking |
| Lifecycle of a Spot | Spot Writing Workshop | On-Air Conduct |
| Module 10 Topics | ||
| Demo Tape Examples | Sound in News | PD Success Tips |
| Voice-Over Workshop | Pitfalls of Life in Radio | Music Programming |
| Remote Workshop | CRTC Regulations | Contesting |
| Weekend Programming | Specialty Radio Shows | Play-By-Play Announcing |
Note: Course content or sequence may be altered, adjusted, or substituted by Columbia Academy without notice. Such alteration, adjustment, or substitution would not affect the intent or meaning of the program.
To learn more about Columbia Academy's Broadcast Performing Arts training program, or to arrange a tour of our Broadcasting school campus and facilities, Contact Us. Or, if you're ready to Apply Now, click here.

Columbia Academy
" Vancouver Broadcasting School - Music Recording Schools in Canada - Vancouver Sound Design School -
Vancouver Video Production School - Film & Video Training Schools in Vancouver"
1295 West Broadway, Vancouver, British Columbia, Canada V6H 3X8
Call Toll Free in North America: 1.800.665.9283
Telephone: 604.736.3316 Fax: 604.731.5458
E-mail: administration@columbia-academy.com
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